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Free eBook The Idea of Coleridge's Criticism (Perspectives in Criticism No. 9) download

by Richard Fogle

Free eBook The Idea of Coleridge's Criticism (Perspectives in Criticism No. 9) download ISBN: 0313200866
Author: Richard Fogle
Publisher: Praeger (March 9, 1978)
Language: English
Pages: 185
Category: Imaginative Literature
Subcategory: Poetry
Size MP3: 1833 mb
Size FLAC: 1374 mb
Rating: 4.9
Format: lit mbr doc rtf


Richard Harter Fogle. Are you sure you want to remove The idea of Coleridge's criticism. Perspectives in criticism series;no.

Richard Harter Fogle. The idea of Coleridge's criticism. 1 2 3 4 5. Want to Read. from your list? The idea of Coleridge's criticism. by Richard Harter Fogle. Published 1962 by California . Knowledge, Literature. Samuel Taylor Coleridge (1772-1834).

Estimates of the value of Coleridge's criticism have varied widely, although few have questioned the fact of its influence. Among authoritative professional scholars René Wellek has been able to perceive in Coleridge's critical theory only eclecticism roving amid the ideas of transcendental Germans. With much respect for Coleridge's critical acumen and some regard for his consistency, Professor Wellek finds little originality in his thought.

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While often discussed in terms of Jewish and Christian writings from ancient times, historical criticism has also been applied to other religious and secular writings from various parts of the world and periods of history.

The Romantic Criticism: Wordsworth, Coleridge, Shelley 7.

Literary criticism is the. tigation/approach to particular literary texts on both. thematic and structural levels. Literary theory develops and offers general. If the first approach embarks on a diachronic perspective in literary.

Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.

Book Description: Presented here are selected critical essays from five volumes of thePoetik und Hermeneutikseries published in Germany by the Wilhelm Fink Verlag of Munich. The book's significance rests in the potential this new interdisciplinary criticism has for increasing the interplay between the two major critical movements of our day, namely, the objective, pragmatic Anglo-American criticism and the more subjective, phenomenological Continental criticism. Originally published in 1979.

Practical criticism began in the 1920s with a series of experiments by the Cambridge .

Practical criticism began in the 1920s with a series of experiments by the Cambridge critic I. A. Richards (English literary critic, semanticist, and educator). His other writings include Coleridge on Imagination (1934), a study of the famous poet's theory of the imaginative faculty; Basic English and Its Uses (1943), which proposed that the entire world adopt 850 English words to facilitate worldwide communication; The Screens and Other Poems (1960); So Much Nearer (1968), a book of essays; and.

Quite re than ourselves. Each of us by nature sees the whole world from one point of view with a perspective and a selectiveness peculiar to himself.

Just so when I read about the beneficence of Mr Pickwick I can combine (at the incipient level) my wish to give money and my wish to keep it; when I read Maldon I combine (at the same level) my wish to be very brave and my wish to be safe. And even when we build disinterested fantasies, they are saturated with, and limited by, our own psychology. To acquiesce in this particularity on the sensuous level-in other words, not to discount perspective-would be lunacy.

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