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Free eBook Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century download

by Arturo J. Aldama,Naomi Quinonez

Free eBook Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century download ISBN: 0253214920
Author: Arturo J. Aldama,Naomi Quinonez
Publisher: Indiana University Press; First Paperback Edition edition (April 4, 2002)
Language: English
Pages: 413
Category: Imaginative Literature
Subcategory: History and Criticism
Size MP3: 1647 mb
Size FLAC: 1240 mb
Rating: 4.9
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Decolonial Voices" offers a range of interdisciplinary essays that discuss racialised, subaltern, feminist and diasporic identities and the aesthetic politics of hybrid and mestiza/cultural productions. In doing so, this volume brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies

Extrait de la 4e de couv: : Essays on transnational Chicana and Chicano cultural studies, examining a range .

Extrait de la 4e de couv: : Essays on transnational Chicana and Chicano cultural studies, examining a range from music, feminist historiographies, poetics, digital art, and popular cultures. The interdisciplinary essays discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions.

Decolonial Voices book. Contributors include Norma Alarcon, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chavez Candelaria, Alejandra Elenes, Ramon Garcia, Maria Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia Maria de la Luz Montes, Laura Elisa Perez, Naomi Quinonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, Jose David Saldivar, Anna Sandoval, and Jonathan Xavier Inda. In doing so, this volume brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural .

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions.

In doing so, this volume brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies. Aldama, Arturo J. publication date. Aldama AJ; Quiñonez NH.

Aldama, Arturo; Quinonez N. Call Number. National Women's Studies Association.

The history of Chicana/o cultural studies has an equally difficult trajectory. For instance, what equates to ‘Mexican’ art prior to 1848, becomes ‘American’ with the signing of the Treaty of Guadalupe Hidalgo. For the undergraduate student, Latina/o visual and cultural studies can often be a difficult area to try to engage with. This undergraduate seminar will approach the history of Chicana/o and mexicana/o cultural practices by breaking down the barrier between Mexico and the United States. 30% 25% 25% 5% 15% +5%.

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Chicana and Chicano Cultural Studies in the 21st Century. Feel free to highlight your book. Free shipping on rental returns. Popular items with this book.

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women’s and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies.

Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

User reviews
Galubel
I found this book to be thought-provoking and important. The contributions from the under-represented Chicana/o authors are significant and timely, even nine years after it was published. For example the essay by Pancho McFarland that relates Chicano rap to globalization creates room for people not in this demographic to empathize and understand that youth are not simply singing, they are protesting. (This is a very broad and brief summation: I suggest anyone interested in these matters read this article to find out more.) Perhaps the reviewer "Just Me . . . " is in a different filed of study than I am (I am an undergraduate American Multicultural Studies major) because the only words I had to look up were the few Spanish ones. I find this collection accessible, interesting, and valuable.
doesnt Do You
I am extremely dissapointed with this book. It has been assigned to me for graduate school and I dread picking it up to read assignments. I am studying for my Master's degree but this book requires you to already have a PhD to be able to understand it. I guarantee that in at least in every paragraph you will have to stop reading to look up at least 2-3 "new" words. This book was not written for students. I feel sorry for anyone who has to read this book for any studies. Good luck!It's boring and confusing!