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Free eBook Intervals, Scales, Tones: and the Concert Pitch c = 128 Hz download

by Maria Renold

Free eBook Intervals, Scales, Tones: and the Concert Pitch c = 128 Hz download ISBN: 1902636465
Author: Maria Renold
Publisher: Temple Lodge Publishing (January 1, 2003)
Language: English
Pages: 208
Category: Art and workmanship
Subcategory: Music
Size MP3: 1212 mb
Size FLAC: 1117 mb
Rating: 4.3
Format: doc txt lrf docx


Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to. .

Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If s.

432 Hz Music: Monochord Concert in C - Продолжительность: 6:13 TranscendentalTones Recommended for you.

Estas Tonne - Internal Flight @ 432 Hz - Продолжительность: 1:03:51 Andrej Šunko Recommended for you. 1:03:51. 432 Hz Music: Monochord Concert in C - Продолжительность: 6:13 TranscendentalTones Recommended for you. 6:13. Лучший способ начать импровизировать – пентатоника?

Intervals, Scales, Tones book. Renold tackles these and many other questions and provides a wealth of scientific data.

Intervals, Scales, Tones book. Her pi Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data.

Maria Renold though came up with an tempered version of the Pythagorean Temperament, using mostly Perfect . The Scale Of Twelve Fifths (and more) can be found in the book Intervals, Scales, Tones and the Concert Pitch C 128Hz.

Maria Renold though came up with an tempered version of the Pythagorean Temperament, using mostly Perfect Fifths and still create a working closed circle. Information about The Scale Of Twelve Fifths can be found at Chapter 13, 21, 24 & 25 of this book. ISBN 9781902636467 ww. emplelodge. Why is it that certain intervals, scales and tones sound genuine and others false?

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles.

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data.

Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data.

We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. 9781906999735 Intervals, Scales, Tones And the Concert Pitch C 128 Hz. Specifications. Rudolf Steiner Pr. Book Format. We're committed to providing low prices every day, on everything.

Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold.

Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Reld tackles.

Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Reld tackles these and many other questions, providing a wealth of scientific data.

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone’s pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner’s spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: The octave has two sizes (a ‘genuine’ sounding octave is bigger than the “perfect octave”). There are three sizes of “perfect fifths.” An underlying “form principle” for all scales can be found. Equal temperament is not the most satisfactory method of tuning a piano. She provides a basis for some of Steiner’s statements, such as, “C is always prime,” and “C = 128 Hz = Sun.” Here is a valuable resource for those who wish to understand the deeper, spiritual aspects of music.
User reviews
Delalbine
Like the monumental Thesaurus of Scales and Melodic Patterns by N. Slonimsky, Intervals Scale Tones is a must have for all interested on the deep meaning and implications of pitch and sound relations. While Slonimsky does a systematic review on the overt and explicit (i.e., technical), Maria Renold goes to the core of the relations of pitch and their deep relation to the human sensibility and spirit. Deeply influenced by Rudolf Steiner, this work is a must to all that want to recover the hidden meaning of music. Maria's dissertation on the implications of pitch on the human state and, the importance of the Verdi pitch (i.e, C= 128Hz) are paramount to the present times, when humanity is loosing meaning. This work treasures important material to artists at a time when misconception about music is so prevalent, which sadly turned music to product to be sold rather than a sacrament to be shared with the universe. Real music brings people together on a higher plane.
Whiteseeker
A Must Read, Learn and Apply for Anyone Seeking To Heal Through Music & Sounds