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Free eBook Listening in Paris: A Cultural History (Studies on the History of Society and Culture) download

by James H. Johnson

Free eBook Listening in Paris: A Cultural History (Studies on the History of Society and Culture) download ISBN: 0520206487
Author: James H. Johnson
Publisher: University of California Press (December 4, 1996)
Language: English
Pages: 400
Category: Art and workmanship
Subcategory: Music
Size MP3: 1625 mb
Size FLAC: 1447 mb
Rating: 4.8
Format: txt azw docx lit


Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic er.

Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic er. Series: Studies on the History of Society and Culture (Book 21).

James H. Johnson recreates the experience of audiences during these rich . This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter.

Listening in Paris is a cultural history of perception examining the era 1750-1850 during which time French spectators transformed from a chatty, distracted audience to a quiet and engaged listening public. His analytical framework, which Johnson attributes to idealist philosophy, places the listener at the center of the historical narrative and takes the stance that musical meaning does not reside in the score (or authorial intention) but in the specific moment of reception-a discursively Listening in Paris is a cultural history of perception examining the era 1750-1850 during which time.

Use features like bookmarks, note taking and highlighting while reading Listening in Paris: A Cultural History (Studies . In a fascinating new book. Johnson traces the evolution of audience silence in the concert halls and opera houses of Paris.

Use features like bookmarks, note taking and highlighting while reading Listening in Paris: A Cultural History (Studies on the History of Society and Culture). This book grew from a simple question.

Beginning with the simple question, "Why did audiences grow silent?" Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter.

Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them

Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them.

His book Listening in Paris: A Cultural History . In 2014-15, he was a Guggenheim Fellow

His book Listening in Paris: A Cultural History received the American Historical Association’s 1995 Herbert Baxter Adams Award and the American Philosophical Society’s Jacques Barzun Prize. His current work is on identity, concealment, and the self in modern and early modern Europe. In 2014-15, he was a Guggenheim Fellow. For six years, he was Assistant Dean of the College of Arts and Sciences and Director of its Core Curriculum.

Cultural history combines the approaches of anthropology and history to look at popular cultural traditions and cultural interpretations of historical experience

Cultural history combines the approaches of anthropology and history to look at popular cultural traditions and cultural interpretations of historical experience. It examines the records and narrative descriptions of past matter, encompassing the continuum of events (occurring in succession and leading from the past to the present and even into the future) pertaining to a culture.

Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1800-1917Paperback. National Gallery Of Art American Artists American Realism Ashcan School Art Museum October 8 Modern Art Art Object Tumblr. When former heavyweight champion Jim Jeffries came out of retirement on the fourth of July, 1910 to fight current black. What others are saying. George Bellows Both Members of This Club 1909 oil on canvas 133 x cm x 70 i. National Gallery of Art, Washington, Chester Dale Collection.

Beginning with the simple question, "Why did audiences grow silent?" Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today.Drawing from a wide range of sources―novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like―Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.
User reviews
Fenrinos
The overwhelming majority of books about classical music deal primarily with the composers' lives and/or the nature of their music. This book concentrates on the audiences: their changing expectations, evolution of concert settings and social conventions , and many more considerations that have helped define how audiences today approach live music performances.

I agree with all the previous reviewer 's comments. I read the book in its paperback form, but I'm buying now for my Kindle reader so that I can easily copy quotations to send to friends for discussion.
Kajikus
This was an absolutely lovely, fascinating read that has so far led to wonderful philosophical discussion among my peers. It came in pretty good condition, held up well, and has been a great tool for learning about l'opéra français and general human nature.