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by Erica E. Hirshler

Free eBook Sargent's Daughters: The Biography of a Painting download ISBN: 0878467424
Author: Erica E. Hirshler
Publisher: MFA Publications; First Edition edition (October 31, 2009)
Language: English
Pages: 262
Category: Art and workmanship
Subcategory: Individual Artists
Size MP3: 1180 mb
Size FLAC: 1725 mb
Rating: 4.2
Format: doc lrf lrf mobi


As Hirshler rightly notes, this latter painting in particular has evoked a variety of deeply-felt emotions and critical .

That an art historian would devote an entire book to the "biography" of a single painting, however, would appear to be the height of tedium or folly! Nevertheless, in Hirshler's skillful hands, the events and persons involved in the production of "The Daughters of Edward Darley Boit" become a fascinating study of an artist and his craft.

Sargent's Daughters book. Goodreads helps you keep track of books you want to read. Start by marking Sargent's Daughters: The Biography of a Painting as Want to Read: Want to Read savin. ant to Read.

Sargent makes you feel simultaneously drawn into and excluded from the sisters’ world, a phenomenon that Erica E. ­Hirshler, a senior curator at the Boston Museum of Fine Arts, explores in intriguing detail in her new book, Sargent’s Daughters

Sargent makes you feel simultaneously drawn into and excluded from the sisters’ world, a phenomenon that Erica E. ­Hirshler, a senior curator at the Boston Museum of Fine Arts, explores in intriguing detail in her new book, Sargent’s Daughters. From this singular picture, she explains, a novel unfolds

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Items related to Sargent's Daughters: The Biography of a Painting. Home Erica E. Hirshler Sargent's Daughters: The Biography of a Painting. Sargent's Daughters: The Biography of a Painting. Drawing on numerous unpublished archival documents, scholar Erica E. Hirshler excavates all facets of this iconic canvas, discussing not only its significance as a work of art but also the figures and events involved in its making, its importance for Sargent's career, its place in the tradition of artistic patronage and the myriad factors that have contributed to its lasting popularity and. relevance.

Sargent's Daughters: The Biography of a Painting by Erica E. Hirshler 9780878468607 (Paperback, 2019) Delivery UK delivery is within 3 to 5 working days. Read full description.

Sargent's Daughters: Biography of a Painting. carousel previous carousel next. Sargent’s daughters were the children of Boston artist Edward Darley Boit and his wife Mary Louisa Cushing Boit, more familiarly known as Ned and Isa. Their girls were eight-year-old Mary Louisa, named for her mother and like her called Isa, standing demurely at the left in the painting (plate . ); four-year-old Julia (nicknamed Ya-Ya) sitting on the floor (plate . ); Florence (Florie), at fourteen the eldest, leaning against the vase in the background; and.

One of the most celebrated painters of his day, John Singer Sargent defines for many the style, optimism and opulence of turn-of-the-century America. Among his renowned portraits, "The Daughters of Edward Darley Boit" stands alongside "Madame X" and "Lady Agnew of Lochnaw" as one of Sargent's immortal images.

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The Daughters of Edward Darley Boit (originally titled Portraits d'enfants) is a painting by John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work; they were donated by the heirs of the Boit family.

One of the most celebrated painters of his day, John Singer Sargent defines for many the style, optimism and opulence of turn-of-the-century America. Among his renowned portraits, "The Daughters of Edward Darley Boit" stands alongside "Madame X" and "Lady Agnew of Lochnaw" as one of Sargent's immortal images. This painting depicts four young sisters in the spacious foyer of the family's Paris apartment, strangely dispersed across the murky tones and depths of the square canvas, as though unrelated to one another, unsettled and unsettling to the eye. "The Daughters" both affirms and defies convention, flouting the boundaries between portrait and genre scene, formal composition and quick sketch or snapshot. Unveiled at the Paris Salon of 1883, it predated by just two years the scandal of "Madame X" and was itself characterized by one critic as "four corners and a void"; but Henry James came closer to the mark when he described the painter as a "knock-down insolence of talent," for few of Sargent's works embody the epithet as well as "The Daughters of Edward Darley Boit." Drawing on numerous unpublished archival documents, scholar Erica E. Hirshler excavates all facets of this iconic canvas, discussing not only its significance as a work of art but also the figures and events involved in its making, its importance for Sargent's career, its place in the tradition of artistic patronage and the myriad factors that have contributed to its lasting popularity and relevance. The result is an aesthetic, philosophical and personal tour de force that will change the way you look at Sargent's work, and that both illuminates an iconic painting and reaffirms its pungent magnetism.
User reviews
Larosa
I can't really put into words how wonderful this book is! I am fortunate to be able to visit the MFA on a regular basis, and this book has increased my admiration and love for this painting in so many ways. The manner in which the author puts into context the family, the times, and the artist should be a model for all art historians to follow. Her small work on Childe Hassam's "At Dusk" is also written with the same beautiful style.
Dianaghma
Makes the painting come alive as you read about happened in the Boit's family life. Very interesting details about the lives of expatriates in the late 1800s and a reminder that the rich can have serious problems with their children too.
Super P
I have always loved this painting and was pleased to learn all I could about it. The author was extremely thorough with her research, left no stone unturned and delivered a worthwhile read. I finished the book knowing more and still haunted by the unanswered questions surrounding the painting.
Kitaxe
The irony of art historian and curator Erica E. Hirshler's newly released book entitled Sargent's Daughters: The Biography of a Painting is that American artist John Singer Sargent (1856-1925) had no daughters. Nevertheless, this famous 19th-century American expatriate is inextricably linked to his many portraits of children, especially those of his haunting 1882 masterpiece "The Daughters of Edward Darley Boit." As Hirshler rightly notes, this latter painting in particular has evoked a variety of deeply-felt emotions and critical comments from viewers over the past 128 years! One female viewer, Hirshler relates, wept for 20 minutes straight, as this painting apparently touched some hidden memory or forgotten experience (good or bad) within her!

In "The Daughters of Edward Darley Boit," Sargent captured a fleeting glimpse of the seemingly comfortable life of the four Boit girls, ranging in age from 4-14, as they played in some cavernous room in the stately Boit mansion. The girls' play is interrupted by the presence of the painter, at whom they direct their gaze -- all except the eldest Florence, who glances "knowingly" at one of her sisters. The countenance of the four girls is formal, restrained, and somewhat disquieting. Did the artist intrude upon some secret children's game or private world of play? The slightly "guilty" look of the young girls only adds to the viewer's confusion -- and concern. Sargent subtly heightens the painting's sense of foreboding, moreover, by his use of stark colors, open spaces, and all-consuming shadows. This unsettling mixture of the innocent and the potentially malign only heightens the viewer's fascination over this masterfully conceived and executed portrait.

That an art historian would devote an entire book to the "biography" of a single painting, however, would appear to be the height of tedium or folly! Nevertheless, in Hirshler's skillful hands, the events and persons involved in the production of "The Daughters of Edward Darley Boit" become a fascinating study of an artist and his craft. Above all, Hirshler's book is "a story about how the portrait came to be made and what happened after it was finished, both to the people involved and to the object itself..." (Mystery shrouds the later life of the four Boit girls, who never married and were rumored to have gone "crazy!") Additionally, Sargent's Daughters is "an account of how viewers reacted to this unusual picture when it was first displayed and how perceptions of it have changed over time." (This latter aspect sheds considerable light on changing societal norms and perceptions about gender roles in particular!) I highly recommend this absorbing and enlightening study of John Singer Sargent and one of his most notable paintings to all students of art history and historians of America's Gilded Age, feminist scholars, as well as the general public interested in 19th-century America's rich heritage of portraiture. (For this painting as well as many of Singer's other fine portraits, type in "John Singer Sargent" on Google Images.)
Gindian
Marvelous book about a marvelous artist's marvelous painting.
Brakora
Good read!
Celore
Erica Hirschler has a passion for and knowledge of her subject that she is enthusiastic about sharing with her reader. The Daughters of Edward Darnley Boit has captivated me since childhood.
great story for a great painting and artist